Outreach

How to write a media pitch
journalists will actually read.

Journalists get hundreds of pitches a week and open a fraction of them. The difference between deleted and covered is rarely luck — it's structure.

9 min read · Updated August 2026

The average national journalist receives somewhere between 50 and 300 pitches a day. They make the keep-or-delete decision in roughly two seconds, on two pieces of information: your subject line and, if you're lucky, your first line. Everything in this guide flows from that constraint.

The subject line earns the open

A good subject line reads like a headline the journalist could almost run. Not clever, not cute — specific. "Exclusive data: rents in northern cities up 18% in 12 months" beats "Story idea for you" every single time, because it does the journalist's job for them: they can immediately picture the piece.

Interactive · Score your subject line
6/6
Would survive the two-second test
Reads at a glance (30–70 characters)
Contains a specific number or data point
Names the story, not the ask
No spam-trigger words
Not shouting
Leads with the value word
Heuristics, not gospel — a brilliant line can break a rule. But most deleted pitches break three.

Three formats consistently perform: the data lead ("New data: X% of Y now Z"), the exclusive offer ("Exclusive: [finding] — first refusal for [outlet]"), and the reactive expert ("Expert comment on [story they're covering today]"). Notice all three name the value in the first five words.

The first line earns the read

Skip the "I hope this finds you well." Your opening line should prove you know who you're writing to and why this fits their beat — one sentence, no flattery inflation. "Your piece on tenant demand last Tuesday made the point that supply data is patchy — we've just fixed that for 14 cities" shows you read their work and connects it to your story in one move.

The relevance test: if your first line could be sent to any journalist on your list unchanged, it isn't personalisation — it's decoration. Reference something they actually wrote.

The body: three bullets, one offer

Journalists skim. Give them the story in three short bullets — the headline finding, the surprise, and the angle that fits their audience — then make one concrete offer: the full data set, an interview slot, an exclusive window, or images. End with a question that's easy to answer from a phone: "Worth a look?" outperforms "Please let me know if you would be interested in potentially covering this story."

Follow up twice, then stop

Most placements come from the follow-up, not the first email — but there's a line between persistent and annoying, and it sits at about two follow-ups. A good cadence: day 0 pitch, day 2–3 gentle nudge with one new piece of information (never just "bumping this"), day 6–7 final note that closes the loop politely. If they reply at any point, everything else stops — instantly. Nothing burns a relationship faster than a "just following up" email that lands after they've already said no.

Respect the relationship more than the placement

The teams that win consistently treat journalists as repeat customers, not one-time targets. That means a shared record of who was pitched what and when, no double-pitching the same person from two campaigns in the same week, and remembering preferences ("prefers data on Thursdays, hates phone calls"). One placement is a win; a journalist who opens your emails for years is a moat.

A checklist before you hit send

Subject line names the story, not the ask. First line proves relevance. Three bullets max. One clear offer. Under 150 words. Sent to a named person, not a news desk. Follow-ups scheduled, reply-aware. Every send logged where your team can see it. If you can tick all eight, send it — that pitch is already better than most of the inbox it's landing in.

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